Cineplex. IV. 虽然靠着几首耳熟能详的歌串起来的电影可说拍的中规中矩然而免费扒丝袜www在线看作为20世纪最伟大的vocalist( the voice )一个不是粉丝的我也非常敬佩和喜爱的嗓音这种就真的是剧中形容的“你跟上帝之间不需要梯子”被眷顾的天与身俱来的天赋最后那段个人觉得很感人rehab回来想献唱顶着许多“不如从前”的质疑与压力离开吧台的片刻挣扎真想冲进去把那支”笔“拽走她去世后3年内女儿也去世了不禁让人惋惜:(
Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.