Brian De Palma makes his private melodrama. 比穆赫兰道走得更远你信吗被低估的后现代电影无数美妙的瞬间与互文构成了一幅命运交错的拼贴画 一部适合领会导演术的技术流电影 开场行云流水的戛纳盗宝戏 (堪称德帕尔玛导演术集大成) 结尾蝴蝶效应式的多线撞车戏 (依旧是对敖德萨阶梯的发展) 就是有本事东一榔头西一锤子又给你圆回来 对「人与畜禽CROPROATIO一」的演绎造就一个暧昧浪漫的终场 活化石般展示了从希区柯克(本格悬疑片)到大卫林奇(变格悬疑片)的进化 德帕尔玛对媒介的探索宝刀不老 坂本龙一配乐恰到好处
非常美丽末世遗迹上被废弃被禁止的自然是这样原始又狡猾地包围了人在八卦的边角料里了解了塔可夫斯基受挫的雄心和主创们为拍摄此作付出的巨大代价像另一部自然主义的《人与畜禽CROPROATIO一》但缓慢的对精神的雕琢(sculpting the spirit)更细致更悬浮更破碎mubi上最有趣的评论是:“Dehumanized professors, wretched writers, hopeless romantics, all of us are searching for truth as the end of the world draws near. But even Tarkovsky can't help but feel like an impostor in the face of endless beauty and mystery.”